Are you looking for the perfect gift for your little girl who loves gymnastics and coloring?Our Gymnastics Coloring Book offers exciting adventures filled with jumps and balances for them to explore and color. Not only is it a gateway to their very own show, but it also nurtures creativity, improves focus, and relaxation, and enhances motor skills. A gift that fosters a love for movement while developing important abilities. Let fun and learning unite in one perfect gift!Inside this book:🌟35 unique and beautiful illustrations.🌟Each page is printed on one side to avoid color bleed-through.🌟8.5 x 11 inches! great book for little hands.🌟Glossy paperback cover.🌟Hours of fun.Fuel your little one's dreams, boost their confidence, and let their creativity shine with our Gymnastics Coloring Book. Order your copy today! Read more

A stunning photographic celebration of The Martha Graham Dance Company on its 100th anniversary, from Ken Browar and Deborah Ory, the creative team behind NYC Dance Project. Founded in 1926 by Martha Graham, The Martha Graham Dance Company is the oldest dance company in the United States and remains one of the world’s most distinguished and highly acclaimed. Graham's original works drew from a variety of influences, notably Greek mythology, the American frontier, and traditional Native American ceremonies, and were characterized by her trademark technique of "contraction and release." She is also renowned for her ongoing collaboration with several of her contemporary creative visionaries, including sculptor Isamu Noguchi, actor and director John Houseman, composer Aaron Copland, and fashion designers Halston, Donna Karen, and Calvin Klein. Martha Graham Dance Company 100 Years is a monumental photographic tribute to Graham’s profound creative heritage. Featuring a joyous selection of twenty-four of Graham’s most memorable works, Browar and Ory capture the beauty and the precision of dancers who make up today’s company and who carry the mantle of Graham’s legacy. Each featured dance is prefaced by a piece of archival imagery as well as a description of the dance and notes on costume design, set design, and accompanying music. An in-depth feature on Noguchi’s set design as well as an introduction by Martha Graham Dance Company artistic director Janet Eilber round out the program.   Read more

David Gere, who came of age as a dance critic at the height of the AIDS epidemic, offers the first book to examine the interplay of AIDS and choreography in the United States, specifically in relation to gay men. The time he writes about is one of extremes. A life-threatening medical syndrome is spreading, its transmission linked to sex. Blame is settling on gay men. What is possible in such a highly charged moment, when art and politics coincide? Gere expands the definition of choreography to analyze not only theatrical dances but also ACT-UP protests and the unfurling of the Names Project AIDS quilt. These exist on a continuum in which dance, protest, and wrenching emotional expression have become essentially indistinguishable. Gere offers a gripping portrait of gay male choreographers struggling to cope with AIDS and its meanings. Read more

Dancers train for long hours to condition the body to perform stunning acts of artistry through movement expression. Daily tasks outside of dance training can unwittingly compromise the diligent efforts during classwork and rehearsals. The book goes beyond descriptions of the musculoskeletal system to improve performance. The reflective practice of Functional Awareness® teaches strategies to change daily habits in living and demonstrates how these small simple shifts can have a profound effect on ease in action. This new second edition introduces the reader to the reflective practice of Functional Awareness®. It uses foundational information of anatomy and motor learning to guide the reader toward a deeper understanding of their personal body structure. The movement explorations and anatomical visualizations to improve dance skills and provide lifelong tools for body wellness. Each chapter provides essentials in functional anatomy with over 60 beautiful illustrations to buoy the reader through the content. An application to improve specific dance movements using mental training through anatomical visualizations along with tactile body mapping. Finally, each chapter contains a mindful practice to integrate the practices into daily life in order to release unnecessary tension, improve posture, and better support the body outside of dance class and rehearsals. Read more

This groundbreaking and beautiful study describes two experiments in which Andrea Paz successfully integrated pedagogical eurythmy into high school main lesson blocks on embryology and astronomy. It will be of especial interest to practitioners of Rudolf Steiner’s eurythmy and Waldorf high school teachers, but even more, it deserves to be held up as a shining model of interdisciplinary research and teaching generally. Read more

Discover the extraordinary life of Lino “Lean Rock” Delgado—world-renowned DJ, international breaking champion, and acclaimed music producer—celebrated with official commendations by both the state of Massachusetts and the city of Boston in 2021.THESE ARE THE BREAKS! offers an intimate glimpse into the world of Hip Hop culture, where Lean Rock battles the highs and lows of achieving mastery, confronts the shadows of perfectionism, and navigates the complexities of mental health. This is a story of resilience, growth, and the personal cost of greatness—told from within the movement, by one of its most iconic artists.Available in two editions: a Classic Print Edition and a Premium Color Edition. THESE ARE THE BREAKS! was co-authored by cultural historian Paul Vincent Ruma, whose decades of experience in global Hip Hop culture helped shape and preserve Lean Rock’s story for future generations. Read more

A revelatory look at the life, work, and legacy of the legendary choreographer Alvin Ailey  “A rich, multitudinous window into the world of the choreographer Alvin Ailey. . . . It does everything but dance.”—Leah Greenblatt, New York Times   Alvin Ailey is one of the most celebrated choreographers of the twentieth century. The creator of iconic works such as Blues Suite, Revelations, and Cry, he is widely recognized for the dance company he founded in 1958 when he was just twenty-seven years old. Ailey imagined and cultivated a platform for modern dance through his innovative repertoire, interdisciplinary sensibility, and support of dancers and choreographers. This expansive volume situates Ailey within a broader social, creative, and cultural context, looking at the artists who influenced and collaborated with him, the spaces and scenes he frequented, the dynamic themes within his dances, and how his vision and work changed contemporary dance.   Essays by artists, scholars, and critics cover topics ranging from the Black church, the South, and the Great Migration to nightclubs, musical influences, and queerness. With more than four hundred images including photographs of works Ailey choreographed, archival materials such as notebooks, sketches, letters, and never-before-published behind-the-scenes photos, and conversations about the legacy of the company with Sylvia Waters, Judith Jamison, and Masazumi Chaya as well as several contemporary dancers and scholars, this study offers an unprecedented full picture of one of the twentieth century’s leading artists and the way his work continues to inspire today’s generation of dancers.   Distributed for the Whitney Museum of American Art  Exhibition Schedule:  Whitney Museum of American Art, New York (September 25, 2024–February 9, 2025) Read more

Ten international dramaturg-scholars advance proposals that reset notions of agency in contemporary dance creation. Dramaturgy becomes driven by artistic inquiry, distributed among collaborating artists, embedded in improvisation tasks, or weaved through audience engagement, and the dramaturg becomes a facilitator of dramaturgical awareness. Read more

Performance art theorist Claire Bishop delineates the history and significance of Merce Cunningham's public, participatory EventsFrom 1964 until his death, choreographer Merce Cunningham (1919–2009) produced over 800 Events. Each Event comprised a different sequence of excerpts from his repertory, parts of works in progress and new material; all lasted about 90 minutes. They were performed in museums, galleries, gymnasiums, theaters, public squares and on television.A dance history written from the perspective of art history, this book provides a new approach to understanding Cunningham’s innovative format. Claire Bishop, professor at the CUNY Graduate Center, argues that the Events anticipate a contemporary culture of curating and remixing, while providing an ideal lens for tracing the Merce Cunningham Dance Company’s history. In closing, she returns to the question of dance in museums, and what the Events open up in terms of spectatorship and contemporary developments in choreography. Read more

Stepping Left simultaneously unveils the radical roots of modern dance and recalls the excitement and energy of New York City in the 1930s. Ellen Graff explores the relationship between the modern dance movement and leftist political activism in this period, describing the moment in American dance history when the revolutionary fervor of "dancing modern" was joined with the revolutionary vision promised by the Soviet Union. This account reveals the major contribution of Communist and left-wing politics to modern dance during its formative years in New York City. From Communist Party pageants to union hall performances to benefits for the Spanish Civil War, Graff documents the passionate involvement of American dancers in the political and social controversies that raged throughout the Depression era. Dancers formed collectives and experimented with collaborative methods of composition at the same time that they were marching in May Day parades, demonstrating for workers’ rights, and protesting the rise of fascism in Europe. Graff records the explosion of choreographic activity that accompanied this lively period—when modern dance was trying to establish legitimacy and its own audience. Stepping Left restores a missing legacy to the history of American dance, a vibrant moment that was supressed in the McCarthy era and almost lost to memory. Revisiting debates among writers and dancers about the place of political content and ethnicity in new dance forms, Stepping Left is a landmark work of dance history. Read more

Discover the extraordinary life of Lino “Lean Rock” Delgado—world-renowned DJ, international breaking champion, and acclaimed music producer—celebrated with official commendations by both the state of Massachusetts and the city of Boston in 2021.THESE ARE THE BREAKS! offers an intimate glimpse into the world of Hip Hop culture, where Lean Rock battles the highs and lows of achieving mastery, confronts the shadows of perfectionism, and navigates the complexities of mental health. This is a story of resilience, growth, and the personal cost of greatness—told from within the movement, by one of its most iconic artists.Available in two editions: a Classic Print Edition and a Premium Color Edition.THESE ARE THE BREAKS! was co-authored by cultural historian Paul Vincent Ruma, whose decades of experience in global Hip Hop culture helped shape and preserve Lean Rock’s story for future generations. Read more

The dynamic history of the innovative, beloved, and critically acclaimed dance theater company, with revelatory behind-the-scenes details of its creators and significant works The ingeniously innovative and enduringly popular American dance theatre company Pilobolus has helped redefine, remix, and rejuvenate the essence of dance with its eclectic sensibility and daring athleticism. Now, for the first time, the story of Pilobolus, from its counterculture origins through its pop-culture triumphs and contemporary global acclaim, is revealed in a book that will entrance longtime admirers and newcomers alike. Written with unprecedented access to the company—with insights from unpublished archival materials and interviews with its founders, dancers, and current artistic directors—and featuring both classic and never-before-seen photos, Pilobolus offers previously untold details about the group’s history and the creation of its most significant works. Robert Pranzatelli describes the company's genesis in a Dartmouth dance class in 1971 and how Pilobolus revolutionized dance with its blend of sensuality, physical achievement, and visual wit. In these pages, the troupe performs on Broadway, travels the world, and by the late 1980s secures a place in dance history, while its growth is marked by periods of internal conflict, challenges, and change. As Pilobolus continues to morph, invent, and thrive with the arrival of new artists and collaborators, its story encompasses love, loss, grief, and rebirth, as well as insights into the secrets of the creative process—how performers and choreographers think and work. More than a history, Pilobolus is a narrative of life and art, and the vitality that infuses and inspires both when they align and inhabit each other. Read more

Ballet and Modern Dance meets the needs of both students and inquisitive dance goers through a narrative focused on the development of Western theatrical dance from the Renaissance to the first decades of the 21st century, incorporating the most recent scholarship and projecting trends. The text is illuminated by excerpts from primary sources and embellished by 65 photos. A section of biographical profiles at the end of the book serves as a supplementary reference source. Intended to be entertaining as well as enlightening the book seeks an additional objective which is the value of dance history as a field of study. Read more

For the beginning or intermediate student of any age, this complete body warmup also provides an introduction to Luigi's lyrical jazz style. Developed over a 45 year period of teaching, Luigi's pioneering method is based on anatomically sound principles, using center and floor work exclusively. He believes that students should learn how to support and control themselves totally from within and find the feeling of using space as a barre. Read more

The cult classic is back! This petite 15th anniversary hardcover reissue keeps all the original mystery and magic of cat dancing delightfully intact. Perpetually ahead of its time, Dancing with Cats presents scores of delightful and inspiring photographs of people and cats engaging in their favorite dance routines as well as moving testimonies of the personal transformations brought about through this uniquely joyous form of human-animal connection. Dancing with Cats will have a new generation of cat lovers (and their cats) jumping for joy—and cutting a rug—in no time. Read more

Does a dance communicate ? What ? How ? Are all dances meaningful ? Do spectators see what a choreographer sees ? "The strands of the dance medium like locks of hair plait into one meaningful whole. The interlock is all." The interlock is what this book explores from the choreographer and performers' perspective with every genre in contemporary dance theatre in mind. Written for practical people in dance, the text is organised in 32 short chapters each addressing a question on the way in which choreographers might or might not engage with their audiences in dance theatre works. The topics include an introduction to communication theory and the way in which the interlocking network between performers, movement material, sound, and performance can carry meaning. The book is written from choreographers' and performers' perspectives, with 46 dance works cited from a wide range of genres. The text is unusually presented - as closely as possible to how we speak to each other - with key words in bold type for ease of reference. Valerie Preston-Dunlop is an internationally recognised lecturer, teacher, and author on dance. She is currently Adviser for Postgraduate Studies and Research at the Trinity Laban Centre in London. Read more

The inside-out of dancer/Contact Quarterly editor Nancy Stark Smith's life as seen through the kaleidoscope of her thirty-six year involvement with Contact Improvisation. The book includes Q&As between the authors tracing the history of the dance form; photos of dancing and living; life stories; anecdotes from friends, colleagues, and family; and a description of Stark Smith's Underscore. The Underscore is a framework for practicing and researching dance improvisation that Stark Smith has been developing since the early 1990s. It is a score that guides dancers through a series of "changing states" from solo deepening/releasing and sensitizing to gravity and support, through group circulation and interaction, Contact Improvisation engagements, opening out to full group improvisation with compositional awareness, and back to rest and reflection. Read more

A highly illustrated reference to all aspects of jazz, this book introduces exercises, anatomical information, and standard jazz dance terminology. Read more

If we imagine multiple ways of being together, how might that shift choreographic practices and help us imagine ways groups assemble in more varied ways than just pairing another man with another woman? How might dancing queerly ask us to imagine futures through something other than heterosexuality and reproduction? How does challenging gender binaries always mean thinking about race, thinking about the postcolonial, about ableism? What are the arbitrary rules structuring dance in all its arenas, whether concert and social or commercial and competition, and how do we see those invisible structures and work to disrupt them?Queer Dance brings together artists and scholars in a multi-platformed project-book, accompanying website, and live performance series to ask, "How does dancing queerly progressively challenge us?" The artists and scholars whose writing appears in the book and whose performances and filmed interviews appear online stage a range of genders and sexualities that challenge and destabilize social norms. Engaging with dance making, dance scholarship, queer studies, and other fields, Queer Dance asks how identities, communities, and artmaking and scholarly practices might consider what queer work the body does and can do. There is great power in claiming queerness in the press of bodies touching or in the exceeding of the body best measured in sweat and exhaustion. How does queerness exist in the realm of affect and touch, and what then might we explore about queerness through these pleasurable and complex bodily ways of knowing? Read more